publications | features

publications print

super-modified
CREATIVE DIRECTION & DESIGN:Raewyn Brandon & Matias Corea
CURATION: Oscar Ramos Orozco
DESIGN: gestalten
TEXT: Jocelyn K. Glei
ISBN: 978-3-89955-538-7

poetic justice & digital rights
galerie wolkenbank, 2011
LINK (PDF)

Wolf Lieser: The World of Digital Art
H.f.Ullmann Verlag, 2010
ISBN: 978-3-8331-5345-7
LINK (PDF)

Lukas Feireiss (ed.): BEYOND ARCHITECTURE – Architektur in der Kunst
Die Gestalten Verlag, Berlin, 2009
LINK

Wolf Lieser: Digital Art
H.f.Ullmann Verlag | ART pocket | 2009
ISBN 978-3-8331-5337-2
LINK (PDF)

Flowers: Blumen in der zeitgenössischen Kunst. / 2006
Heidenheim: Kunstmuseum; Hermann Voith Galerie
Text: Die Konstruktoin der Blume aus Kreis und Linie – René Hirner
ISBN 3-929935-28-7

the frozent moment – David Galloway / 2005
Katalogtext, Ausstellungskatalog “run into flowers”
[DAM] Berlin – digital art museum

BASICS! clubtransmediale05 / 2005
festival for electronic music and related visual arts
Katalog S. 51

TODAYSART  The Hague, NL / 2005
festival for art, music & technology
Katalog S. 52-53

11. Biennial of visual arts, Beograd / 2004
29.5.-10.7. 2004
Katalog – web art segment

TRIPTYQUE, 9.10.-21.11/ 2004
Hotel De Ville, Angers (F)
Wolf Lieser, [DAM] Berlin
S. 91, 96-99
ISBN 2-85575-099-7

Digitale Transformationen
Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft
S.185-191, Wolf Lieser – “Asatzmarkt und Medienkunst”
ISBN 3-934013-38-4
du und dein garten / 2004
Kunsthaus Erfurt, 29.11.-17.01. 2004
Text: Dr. Silke Opitz

backup Festival für neue Medien / 2003
Bauhaus Universität Weimar, 30.10.-2.11.2003
Katalog S.32

Flash House / 2002
Flash Actionscript
S.223-226
Addison Wesley
ISBN 3-8273-1877-7

Bildercodes “die 50 Besten” / 2002
Internationaler Medienkunstpreis, 28.10. 2002
ZKM, Karlsruhe
VHS, CD-ROM, Prod. Nr. 2110744
TV: SWR, arte, RTV slo, 3SAT, SF drs

[TYPE] no border, no boundaries, no limits / 2002
Duncan Baird Publishers
ISBN 0-06-621391-6, 3-935814-06-2
S. 106-109

comtec ART / 1999
3. Ausstellung/Kunstpreis für Computergestützte Kunst und interdisziplinäre
Medienprojekte, 11.11.-28.11. 99, Kunsthaus Dresden
Katalog S. 100-101

comtec ART / 1997
digitales Kunstereignis, 19.11.-22.11. 97, Messegelände Dresden
CD-ROM Preis
Katalog S. 22-23, S. 117-120

Pinocchio mit Kopfhörern / 1997
Sächsische Zeitung, 46. PLUSZ S.12
Text: Grit Mocci

Dresdner Kunstfest / 7.9.-10.9. 1995
Kasematten, Brühlsche Terasse Dresden
Text: Peter Meining

Holger Lippmann  / 2.10. – 6.11.1994
Galerie Rähnitzgasse der Landeshauptstadt Dresden
Ausstellung “Export Import”

VIER,2 / 29.8.-27.9. 1992
Leonardimuseum Dresden
Katalogtexte; Ulrike Haßler-Schobbert, Manfred Wiemer

Hirschvogel, Holger Lippmann, Richard Mansfeld, Wilhelm Müller, Hendrik Silbermann.
Galerie Lehmann, Dresden o. J. 1991

Vom Blakon Europas / 10.5.-17.6.1990
Junge Kunst im Krefelder Kunstverein
10.5.-17.6.1990
Text: Christiane Lange-Castenow

 

 

web puplications / web features / participations / commissioned work

baronmag.ca
top-ten-generative-designs-2014

ART IS A MEANS OF TRAVELLING

Splash Screen for ADOBE (Premiere) (Audition)
DATA-DADA
ikono

FILE
thecreatorsproject (Paintings From A Child Of The Computer Age)
555arts.ru
GlamJam (collaborative fasjion-design work)
anti-utopias (ISOMETRIC ITERATION work)
suckerPUNCH (Noise Scape)
creative applications

bizarrebeyondbelief

freaksonline.co.uk
mutualart.com
arthound

faith is torment

robot:mafia

suckerPUNCH (Fractal Flower)
suckerPUNCH (engravings)
dailyinspiration.nl
patternbank
anti-utopias (PERLIN SCAPE work)
URBANIA
sj33.cn
Achtung Sprengarbeiten!
ceegee
mutantspace
dsgnr.cl
pixel collector
infrabodies.com
minimal exposition
bazookocircus
we-make-money-not-art
digitalartserved
design boom – art from code
Märkische Oderzeitung (Blühendes Spiel mit den Algorithmen)
amy goodwin
An Amateur’s View
pytr75
zcool china
hishow china
fishcan china
metalocus
fourfifthsdesign
cimatics masterclass
digitalbrushstrokes
hapticScript @ artFair Basel
rv.org.tr
dailyinspiration.nl
LAb[au]
TodayInArt.com

Rostock Heute
(poetic justice & digital rights)
ryanraffa.com
metalocus.es
stylemag-online.net
fastcodedesign.com
creativeapplications.net
prostheticknowledge
creativejournal.com
webdesigncore.com
BANALIST
zero

3sat.de
Berliner-Kunsthalle
ZKM die 50 besten

ISO cube

IMG_3723

ISO cube (02), 2014-15
15 cm
realized with code (processing, based on volumeutils by toxi) and different freeform modeling.
printed via makerbot, casted into brass Details »

nugget (04)

nugget (87698)

nugget (04), 2014-15
30 cm height
realizes with code (processing), based on volumeutils by toxi
printed via makerbot (2 parts), casted into brass

 

 

magnetic twist

sml_twist_goup_2014-15

magnetic twist (199, 26, 12, 55, 191)  2014-15
26 -46 cm height, PLA print

magnetic twist sculpture work series, modeled using different alrorithmic based functions, such as: twist, noise, freeform, taper,…
printed in PLA, using makerbot replicator2
Details »

brickWarp (III) 2015

_63772_BW6_4

 

yet another surprising programming error result;
layering two different warps over each other,
with different color maps and different x-, y-noise values + some random holes, to fork into one another…

vector for print / made with code (processing) Details »

noisewave V

54093_NoiseGridNeu05_3_col_elli4_23

noisewave V, 2014-15 – another perlin noise based generative work series,
noise based rotating square shapes within a distorted linear row/column matrix.
using different color arrays forking into each other.
vector for print, made with code (www.processing.org)

Details »

NoisyLineScape

58628_noisyLineScape_11

using perlin noise to generate a bezier row matrix
vector for print
inspired by diana lange “homage à Long lost drawing”
http://www.openprocessing.org/sketch/147750

made with code (www.processing.org)
Details »

image-noise-grid

79615_ImageNoiseGrid_str_4

 
image-noise-grid (2014-2016)
using perlin noise to generate an XY dot matrix, reading out layered image color maps with  either random distortion of color and/or appearance.
random and/or manual layering and mixing of different color-map data…

made with code (www.processing.org)
 

Details »

e-pastel STAR-GRID II

2228_star2_grid_01_0

the e-pastel TAR_GRID series consists of a X Y axis grid of bezier vector curves. a seperate vector curve class defines all vector properties such as color, transparency and/or stroke weight. to later position them within different grid arrays. different keyboard input values are used for a layered image build up; coloring, sizing, transparency, count and density of star pedals…

made with code (www.processing.org)
Details »

abracadabra

abracadabra 82247

the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function
for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing
a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used
as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
Details »

particle-board

87130_packing_lin_02 2

 

 

iteration / structural condensation

22

“structural condensation”  nov. 2013  (english version first)
looking back at my accomplishments over the last years, i recognise apart, from various formal approaches, a continous drive for structural condensation.
for structural condensation up to a point where the shapes begin to apparently depart from their usual meanings and are not clearly perceptible anymore.
In this structural void an entirely new pattern for composing comes into being – an abstraction of fissuring and reformation.
seen in a sober and technical manner, one may perceive the eternal balancing of meaning, magnitude, colours, shades and properties in order to make out a sound in this ravaged chaos.
most like to walking a tight-rope with concrete and depictive dynamics on one side and the white noise of ambientesque or tranceesque rhytmical harmony on the other.
Details »