generative art v.s.
this of my latest e-pastel series was influenced by the minimalist beauty of mazandaran kilims.
while trying to simulate the fabric structure using processing code, many unexpected offers were found and finally the entire project ended in an independent new work group.
i use the subtitle “mazandaran” just allegorical, as a reference to my original impulse.
2020, vector for print
simulating a landscape like horizontal space, the works of the 2020 noiseScape series are based on different perlin-noise functions
the noise warp series
is based on a 2D X/Y noise structure that uses elongated shapes to simulate expressive brushstrokes used in 20th-century painting. Details »
noiseGrid, 2018, made with code (processing), vector 4 print
shifting pixel sorting data out of landscape photos into a 2D noise matrix…
raster – welle – feld
part of triangulation-noise series, 2017-2019
(made with code – processing)
vector for print
Details »
depthMatrix, 2017
is based on an algorithm, which generates color map dependent diverticulum like reliefs formed out of different pixel layers within a 3 dimensional environment.
this software works with different keyboard input values to compose a rather painting like image out of different color maps.
color values of these map arrays are called by random, noise and/or manual order.
(made with processing)
Details »
wave fields IV (2016)
is a rework of an ongoing script. it morphs slowly into a kind of “romantic” landscape painting.
the technical basics are still very simple; rows of ellipses with some 2d noise and different color arrays. nevertheless, quite much fine tuning between all sorts of values and many little randoms and noises were done.. Details »
hairField (2016)
made with code (processing), based on different perlin noise functions
vector 4 print
