spring storm, 2020-21
made with code (processing), vector for print
holger lippmann
generative art v.s.
StripScale 2021 (iteration series)
StripScale 2021 (iteration series)
made with code (processing), vector for print
noiseScape IV
noiseScape IV, 2021
is based on different perlin noise algorithms, which create a landscape like deformation structure.
made with processing, vector for print
DATA-DONUT
2020-21
based on image color table data and iterating divisions of squares bend to a circle, made with code (processing)
vector for print
unfolding silently
based on differently layered perlin noise structures, unfolding silently is an abstract work series that is reminiscent of a northern type of landscape.
it also refers to traditional asian landscape painting
different automated and/or keyboard input values are used for a layered image build up.
e-pastel (mazandaran)
this of my latest e-pastel series was influenced by the minimalist beauty of mazandaran kilims.
while trying to simulate the fabric structure using processing code, many unexpected offers were found and finally the entire project ended in an independent new work group.
i use the subtitle “mazandaran” just allegorical, as a reference to my original impulse.
2020, vector for print
noiseScape
simulating a landscape like horizontal space, the works of the 2020 noiseScape series are based on different perlin-noise functions
noise warp
the noise warp series
is based on a 2D X/Y noise structure that uses elongated shapes to simulate expressive brushstrokes used in 20th-century painting. Details »
e-pastel 2019
the e-pastel series consists of a X Y axis grid of bezier vector curves. a separate vector curve class defines all vector properties such as color,
transparency and/or stroke weight. to later position them within different grid arrays.
different automated and/or keyboard input values are used for a layered image build up.
gen-draw II
gen-draw II is a generative drawing work-series. it’s based on generative RGB value dependent curve drawers. by using different photos, either within a random array or run by manual order (keyboard), i’m weaving image layers or parts of images together.
with the mouse i control the curve radius and stroke width. so the whole process is kind of an action painting, mixing forms and colors and structure, very speedy. mostly it produces much trash, a few to keep…
the motifs came together during my walks in the lake district of brandenburg, north of berlin, during the great summer of 2018.
software coded in processing
output: vector for print (unlimited scalable )